Dust Jacket Condition: Con Sobrecubiertas. We normally post by Royal Mail Tracked for overseas deliveries, and may request additional postage (at cost) for heavier books (buyers always have the option to cancel the order if we do so). We normally post by Royal Mail 1st class within the UK, but may use a slower service for books over 1kg or multiple orders or a tracked service for higher value orders. We are happy to give a more detailed description (by volume where applicable) on request. There may be other minor faults not included here, but this description should include all important points and convey accurately the overall conditon of the book(s). General information: please email for any more information or condition photos. Minor spotting to top edge of text block. Moderate sunning to covers, primarily to spine, with light edge wear to covers. Smith library book, with labels to inside front cover and a little pink ink staining offset onto ffep (first interior page) from ink stamp on label.
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And just when things move in the right direction, danger arises that no one expects, plunging the sirens into the deadly Olympian spotlight. She just doesn't know it yet.Falling for her is the worst idea. But Alex has plans to repair the damage, and Lula is a major player. The old gods continue their archaic control of the Universe, denying the progress of humans and other deities. Alex has watched Olympus slowly fall apart. The beautiful demigod cannot be controlled He's frustrating, irresistible.and utterly off-limits. When she meets Alexiares, God of Warding off Wars, all thoughts of normalcy fly out the window. But will it be enough to keep them together?As a siren Lula Aglaope can bend anyone to her will with the smallest whisper, but she'd give up her power for one meaningful, honest conversation.She wants a normal life, like the open, true connections the humans seem to pull off with such little effort. Ultimate control has its downside, especially when it comes to romance. Milo’s drawings help him understand the world in ways that just talking may not, echoing the value of art therapy for children in processing difficult experiences, as well as reminding us of the value of drawing as expression for everyone. Maybe you can’t really tell anything about anyone just by looking at them? Milo reimagines all the stories he has created for the people he drew on the train, and realises all the different situations and lives those people might live.Ī hugely affecting picture book about not judging people by appearances and a rare children’s book that tackles the experience of being a child with a parent in prison, Matt de la Peña and Christian Robinson’s beautiful story is both wise and accessible. Yet, he is very surprised to see the boy and his dad from the train also visiting someone. When Milo and his sister get to the prison, Milo is so happy to see his mum. Is the man reading the crossword going home to an empty apartment with just his cat for company? Are the clean cut white boy and his dad going home to a castle in a horse-drawn carriage? What about the crew of teenage girls that get on the train and do a dance routine? On the train, Milo’s sister looks at her phone but Milo – excited but also anxious about seeing his mum - watches the people around him and imagines their lives, sketching his ideas in his book. Milo and his big sister get on the New York subway to visit their mother, who is in prison. The boys want to know what has happened to their father, but if he’s dead, finding out will mean the end of their seemingly endless money and a goodbye to their huge mansion with its private golf course, in-house cinema and swimming pool as well as their life of luxury. Davis and Noah will get very little in the event of Pickett turning up dead. Pickett’s will leaves the bulk of his billions to his pet Tuatara lizard and then, in the event of her death, to a foundation for the care of Tuataras everywhere and for research into their remarkable longevity. Davis, who used to go to school with Aza and his younger brother Noah, have been left with only a housekeeper to look after them. Pickett has gone AWOL just before a whole series of dodgy deals and bad behaviour was about to catch up with him, but he’s left behind his two sons. As Aza and Daisy are both flat broke, the idea of the reward is a big draw. Billionaire Russell Pickett has gone missing and there’s a $100,000 reward for anyone who finds him. The latest news story to hit their home town intrigues 16-year-old Aza and her friend Daisy. And in Farmer Boy, Almanzo Wilder lives with his brother and sisters on a big farm in New York State. It is also the third best-selling book from the Little House series. It was published in 1937 and illustrated originally by Helen Sewell, and in later editions by Garth Williams. In these books, Laura Ingalls travels with her family from the Big Woods of Wisconsin, to the prairies of Kansas, and up to Minnesota-all while facing the challenges of life on the frontier. On the Banks of Plum Creek is the fourth book written by Laura Ingalls Wilder in the Little House book series. It’s a fun way to keep your child entertained and engaged while not in the classroom.īased on the real-life adventures of Laura Ingalls Wilder, the award-winning Little House books have charmed generations of readers, and now this collectible box set brings together the first four books in the series: Little House in the Big Woods, Farmer Boy, Little House on the Prairie, and On the Banks of Plum Creek. These middle grade novels are an excellent choice for tween readers in grades 5 to 6, especially during homeschooling. Read Laura Ingalls Wilder’s beloved Little House series from the very beginning! This paperback box set includes the first four titles in the series and features Garth Williams’s classic black-and-white illustrations. “Don’t gap and stretch like that, Huckleberry” why don’t you try to behave?” (pg.121) When they aren’t telling him what to do, they are nagging at him to quit smoking and cussing. Miss Watson would say “Don’t put your feet up there, Huckleberry”” and “”don’t scrunch up like that, Huckleberry””set up straight””. A good example would be when Miss Watson made Huck learn how to spell and he started getting fidgety. Huck on the other hand lives with Widow Douglas and Miss Watson who are constantly telling him what to do, how to do it, and how to act. Tom lives with his aunt Polly who tolerates his pranks and foolish ways. Another way they are different from each other is the household they live in. Huck attended school for about a year or so where he learned to read and write before his father came along and took him away from Widow Douglas forcing him to stop attending school. The only time he went to school was when Widow Douglas tries to “”civilize”” him after finding the money with Tom. Huck did not grow up in a family where they forced him to go to school. Tom was raised in a family where he was forced to attend school as soon as he was of age to do so. Tom Sawyer and Huck Finn are different from each other in every way. 2 How are Tom and Huckleberry Finn Similar?ĭifference Between Tom Sawyer and Huckleberry Finn.1 Difference Between Tom Sawyer and Huckleberry Finn. In cinematic fashion, Eig follows King from his childhood through his seminary and graduate school days, his marriage and his steady insistence on the reformation of a society broken by racism. King: A Life draws on recently released FBI documents, as well as other new materials, including audiotapes recorded by Coretta Scott King in the months after her husband’s death, an unpublished memoir by King’s father and unaired television footage. This monumental book takes King down from his pedestal, revealing his flaws, needs, dreams, hopes and weariness. He was twenty-six years old and knew that the role he was taking carried a potential death penalty.” With these riveting opening sentences, journalist and author Jonathan Eig pulls readers into King: A Life, his vibrantly written biography of Civil Rights leader Martin Luther King Jr. “On December 5, 1955, a young Black man became one of America’s founding fathers. Three autobiographies and countless pamphlets and editorials show a language both lyrical and beautiful. Once he began telling his story in public, Douglass brought the brutal inhumanity of slavery to northern audiences and launched his true life’s work. His travail under Covey’s yoke became Douglass’ crucifixion and resurrection.” In 1838 he escaped north, making a new life and taking a new surname, adapted from Sir Walter Scott.Īs David Blight writes, “Douglass’ great gift … is that he found ways to convert the scars Covey left on his body into words that might change the world. He worked in Baltimore, was converted as a teenager to a strong personal faith, and taught himself oratory from sermons and books. He was taught to read (then a crime) by a white woman, Sophia Auld, in the family that enslaved him. His second wife, Helen, wrote of “the shining angel of truth by whose side I believe he was born, and by his side he unflinchingly walked through his life”. But he was born a slave, in Maryland in 1818, and he escaped to freedom and a life of voice and pen, thundering against slavery and for justice and the rights of African Americans and women – while becoming all those other things as well. It’s a small point, but annoying.Ī bigger gripe is that Burnett effectively lies. In fact, in this one area, the brain and computers really do share a common method as anyone who has had to defragment their hard drive will know. He’s right about the brain but, alas, wrong about computers. For instance, he refers to the oft-quoted comparison that the brain is like a computer and dismisses this because whereas a computer stores ‘memory’ in a specific place that can be reliably retrieved, the brain creates its neuronal links in a much more haphazard way. The neurological side is solid but, even there, the author does disappoint occasionally. Every decent GCSE Psychology student will know the research Burnett presents and quite a lot of it is out of date or been heavily criticised. There are limits, however, to the praise. The pace of the writing is slow enough not to bedazzle but fast enough not to be bored by the information poured out by the author. It is wittily written – and a good giggle is always worth the price of a book. There is much to praise for Dean Burnett’s book on the brain. I only wanted to give up once I started getting near the end of the list of agents I wanted to query, and I felt like the manuscript had run its course. QT: Was there ever a time you felt like giving up, and what helped you to stay on course? Francesca Zappia: It's gone through a few different forms, but the way it is now, since last November. QT: How long have you been working on this book? Francesca Zappia: QT: How long have you been writing? Francesca Zappia: I've always been fascinated by mental illnesses, and how one person's crazy can be another person's normal. QT: Can you tell us a little bit about the book for which you've found representation? What inspired you to write it? Francesca Zappia:ĪLEXITHYMIA is a YA contemporary novel about a girl with paranoid schizophrenia who has a lot of trouble telling what around her is real and what's not. Success Story Interview - Francesca ZappiaĪn Interview with Francesca Zappia ( ZapAdRem on QT) upon receiving an offer of representation from agent Louise Fury of The Fury Agency. |